The Error …The Error exhibition represents a turning point in the artistic career of Andrei Gamart, for this first solo show in the space of Zorzini Gallery turns his inner ascertains into assertions regarding the world: the artist turns his eyes away from his inside realities towards the outside ones, changing the point of view from upon an interior universe towards the conjuring facts and transforming his artworks into an observation bastion from which he looks upon the world. In The Error solo show, the artist states the end of the world as we know it, leaving both his characters and his public to discover new horizons beyond the falling walls of this reality which dissipates and crumbles without knowing. Thus, Andrei Gamart describes a post apocalyptical landscape in which people move and react in the same common way they are used to, without realizing each experience brings them closer to a time of the apocalypse now... (Adina Zorzini)

Shifting Presence …The Shifting Presence series, created within the Danubian Resident Programme, delineates the artist’s inner assertions upon reality presented in a magic and unifying, henologic manner. Thus, Andrei Gamart qualifies “reality as a conglomerate of particles, linked together by the strength of a hidden principle and a common memory of the moment when everything was one unit.” (Adina Zorzini)

This Garden Was Enchanted “(…) I paused - I looked / And in an instant all things disappeared. /(Ah, bear in mind this garden was / enchanted!) (…)” By Edgar Allan Poe.                    In This Garden was Enchanted solo show, Andrei Gamart delineates his inner assertions upon the world and studies memory stages and illumination aspects in relation to subjective reality, in a manner somehow corresponding to Henri Bergson’s vision regarding immediate experience and intuition. As a result, Andrei Gamart qualifies “reality as a conglomerate of particles, linked together by the strength of a hidden principle and a common memory of the moment when everything was one unit”; meanwhile, another leading and poetic idea that detaches from this group of artworks is that we all belong to the enchanted garden of the world. The paintings and installation comprised in This Garden was Enchanted solo show present to the public the artistic research of a couple of divine, superior principles organizing the collective perception, that rule the patterns of interpretation regarding the common understanding of the unseen energies overlapping us all, humanity. Andrei Gamart is thus exploring the unifying power of primer energy sources such as memory and light and, represents his interpretation of them within the frame of both personal and collective emotions. (Adina Zorzini)

Recent artworks

Mirror For The Full Moon “A scene manifold, theatrical. Black boxes are illuminated to allow you see the unsuspected mental machinery within, a column that penetrates the floor towards something you can't yet make out, closets that open and absorb you into a world of which you are suspicious, but there are no means of closing them. Andrei Gamart's exhibition Mirror for The Full Moon places you in front of your own character, a character hitherto unknown.” (Excerpt from Răzvan Ion - "Mirror for The Full Moon" ) ..................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................... “What makes me negotiate about the end of painting when I try to interpret the paintings of Gamart is their force of mirroring various stages of the history of painting, of challenging our cultural memory as well as their surrealist content reflecting our ambiguous notions and understanding of the world we live in. These paintings with their content and references may indicate end of history, but with their re-configured aesthetics they re-generate a new experience for painted images.” (Excerpt from Beral Madra - Negotiate About The End of Painting)